California
History news:
Antique posters and Stolen Child
returns to CSL after over 130 years
California
History acquires vintage
California travel posters
The
California State Library’s California History
Section recently acquired an extraordinary
collection of seven full-color 1920’s Southern
Pacific Railroad advertising posters inviting
visitors to the Golden State.
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Poster
advertising Yosemite, California’s most popular tourist
destination in the 1920’s.
[Photo California History
Section,
California State Library]
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During
the prosperous 1920’s, tourists
traveled stylishly in trains that provided every luxury. To
attract snowbound and humidity-plagued pleasure
seekers from the eastern United States, and to
establish once remote California as an easily
accessible tourist destination, Southern Pacific
hired talented commercial artists and graphic
designers to produce posters glorifying
California’s scenic wonders. The artists’
posters now with the CSL are superb examples of
this commercial art which flourished during the
golden 1920’s.
In
the roaring twenties, Yosemite National Park was
California’s most famous tourist destination.
One new CSL gem from 1925 advertises the great
granite chasm as a place to “commune with Nature
in her grandest Palaces” while “Roughing It De
Luxe.” With Yosemite Falls as a background,
artist Philip Little depicts three hikers feeding
a smiling bear, an advertising image unheard of
today.
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Northern
California’s alluring Mt. Tamalpais featured in 1920’s
Southern Pacific Railroad poster.
[Photo California History
Section,
California State Library]
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In
another poster by noted California landscape
artist Maurice Logan, four nattily attired golfers
enjoy the enchanting setting of the links at the
Hotel Del Monte and Monterey Peninsula. Another
Logan poster shows a group of sightseers soaking
up the beguiling scenery on Lake Tahoe’s shores.
Logan was a prominent member of the Society of
Six, a group of artists who espoused bright
colors, a sense of region, and an Impressionist
style. The new Logan pieces join the CSL’s
existing collection of Logan’s posters as well
as many travel brochures that he illustrated for
the railroad and tourist bureaus.
The
CSL’s other latest posters also feature alluring
California settings such as Mt. Tamalpais and Muir
Woods, California beaches, and the delightful Paso
Robles Inn in San Luis Obispo. But one new CSL
poster stands out because it relies heavily on
words to lure visitors. The language-rich, “The
New Sunset Ltd on the Sunset Route,” touts the
California version of the Orient Express by
listing the many amenities passengers will find on
luxury trips from the Crescent City of New Orleans
to San Diego, Los Angeles and San Francisco.
Printed in 1924, the work features a gorgeous
Spanish mission style train station at sunset with
text about the luxury train’s club and
observation car, ladies’ lounge, safe, steel
sleeping cars, valets, barbers, and maids.
Interestingly, the Southern Pacific poster proudly
proclaims that the New Sunset Ltd causes “No
Smoke, No Cinders, No Dust.”
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California
landscape artist Maurice Logan depicts golfers in enchanting
setting of the links at the Hotel Del Monte and Monterey
Peninsula.
[Photo California History Section,
California
State Library]
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Today,
though they were printed by the thousands, vintage
California posters rarely become available. Tacked
or pasted to walls, many advertising posters were
trashed when out of date and, consequently, few
survive in good condition. In fact, compared with
posters promoting tourist travel to Europe,
vintage California travel and event posters are
extraordinarily rare. The CSL’s new additions
will be digitized and made available for viewing
on the CSL’s
online Picture Catalog. In short order,
reproductions will be available for sale via the
CSL Foundation’s electronic store, Zazzle.com.
These
1920’s Southern Pacific Railroad posters build
upon the California History Section’s already
outstanding collection of historic posters whose
subjects range from the 1933 California State Fair
to the 1897 Los Angeles Fiesta to the opening of
the Yolo Causeway in 1916. A recent two-part
keepsake published by The Book Club of California
on California travel posters reproduced a number
of examples from the CSL collection. Visitors can
see many of these items via the CSL Picture
Catalog or the online exhibit on the CSL
Foundation’s web site at www.cslfdn.org.
The
Stolen Child returns to California State
Library
after over 130 years
Sometime
in the 1860’s John Galt’s 1833 novel, The
Stolen Child, left the California State
Library. One hundred and thirty-eight years later,
the book has returned in good condition thanks to
the generosity of antiquarian bookseller Stuart
Bennett of Mill Valley.
Bennett
contacted California State Library Curator of
Special Collections Gary Kurutz inquiring if
Bennett could sell the book since its front
paste-down endpaper included a California State
Library bookplate. Kurutz says, “I went to our
online catalog but did not find The Stolen
Child. I thought it might have been
deaccessioned long ago but many other titles by
the Scottish author were still in the collection
including his Life of Lord Byron. I next
checked our 1871 book catalog and it was not
listed. I could only conclude that it either been
purloined or borrowed and forgotten. Informed of
this, Mr. Bennett kindly offered to send The
Stolen Child back to the California State
Library where it happily arrived in late April.”
Kurutz
reports, “The little octavo’s bookplate
includes two interesting pieces of information. The
Stolen Child was purchased for a robust price
of $1.12 and received into the collection on March
29, 1861. At the time, the CSL had embarked on an
aggressive acquisition program to build a
well-rounded research library including many rare
books such as the Nuremberg Chronicle (1493) and
Audubon’s Birds of America (the famous
four-volume elephant folio). Accessions not only
included historical and scientific works but also
belle-lettres.”
Kurutz
says, “Mr. Bennett is to be commended for
alerting the library and returning its ‘stolen
child.’ If only the book’s covers could talk
– its long, unexplained journey would no longer
be a mystery.”
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